Alessio Bax

Artistic Director, Incontri in Terra di Siena Festival



Pianist Alessio Bax and violist Maxim Rysanov will both perform at the Premiere Performance 10th Anniversary Gala Concert

Pianist Alessio Bax and violist Maxim Rysanov will both perform at the Premiere Performance 10th Anniversary Gala Concert

Pianist Alessio Bax and violist Maxim Rysanov will both travel to Hong Kong to perform at the Premiere Performance 10th Anniversary Gala Concert on 24 September at the Hong Kong Cultural Centre They will play various pieces by Mendelssohn, Sarasate, Brahms, Halvorsen and Handel alongside violinist Cho-Liang Lin, and cellists Li Wei Qin, Sa Chen and Evelyn ...

Alessio Bax performs at Wigmore Hall with Daishin Kashimoto

Alessio Bax performs at Wigmore Hall with Daishin Kashimoto

Pianist Alessio Bax and violinist Daishin Kashimoto will be performing together on Saturday 22 July, 1pm at Wigmore Hall, London During the month of July the duo has toured throughout Taiwan, Korea and Japan where they have performed a series of concerts, concluding their tour upcoming Saturday as part of the Avex Recital Series They ...


Combining exceptional lyricism and insight with consummate technique, Alessio Bax is without a doubt “among the most remarkable young pianists now before the public” (Gramophone). He catapulted to prominence with First Prize wins at both the Leeds and Hamamatsu International Piano Competitions, and is now a familiar face on four continents, not only as a recitalist and chamber musician, but as a concerto soloist who has appeared with more than 100 orchestras, including the London and Royal Philharmonic Orchestras, Dallas and Cincinnati Symphonies, NHK Symphony in Japan, St. Petersburg Philharmonic with Yuri Temirkanov, and the City of Birmingham Symphony with Sir Simon Rattle.

After inaugurating a new three-year appointment as Artistic Director of Tuscany’s Incontri in Terra di Siena festival in summer 2017, Bax launches Chamber Music Society of Lincoln Center’s 2017-18 season in company with his wife and fellow pianist, Lucille Chung. Further highlights of his full season include a pair of high-profile U.S. duo recital tours with violinist Joshua Bell and flutist Emmanuel Pahud, respectively; UK solo recitals at London’s Wigmore Hall and the Leeds Piano Festival; collaborations with U.S. orchestras from the Minnesota Orchestra to the North Carolina Philharmonic, on concertos by Gershwin, Grieg, Rachmaninov, Saint-Saëns, and Schumann; return engagements in Yerevan with the Armenian Philharmonic and in Hong Kong; and Signum Classics’ release of his recording of Beethoven’s “Emperor” concerto with the Southbank Sinfonia, paired with rarely heard solo works by the master composer.

Last season, Bax returned to the Vancouver Symphony for MacDowell’s Second Piano Concerto with Bramwell Tovey, and stepped in at the eleventh hour to play Brahms’s Second Piano Concerto with the Cincinnati Symphony under Sir Andrew Davis, in what proved “the most exciting debut in recent memory” (Cincinnati Enquirer). He also gave three performances at the Wigmore Hall, including his solo recital debut, which aired live on BBC Radio 3, and a duo recital with his regular collaborator, Berlin Philharmonic concertmaster Dashin Kashimoto, by way of a coda to their extensive Asian tour. Other highlights of recent seasons include Mozart with the Los Angeles Chamber Orchestra under Hans Graf; Rachmaninov with London’s Southbank Sinfonia led by Vladimir Ashkenazy; his Minnesota Orchestra debut under Andrew Litton; a return to the Dallas Symphony for Barber under Jaap van Zweden; season-opening appearances with the Colorado Symphony; and concerts at L.A.’s Disney Hall, Washington’s Kennedy Center, and New York’s Carnegie Hall. In 2009, the pianist was awarded an Avery Fisher Career Grant, and four years later he received both the Andrew Wolf Chamber Music Award and Lincoln Center’s Martin E. Segal Award, which recognizes young artists of exceptional accomplishment.

Bax’s acclaimed discography for Signum Classics includes a solo album of Mussorgsky and Scriabin; a guest appearance on Chung’s disc of Poulenc piano works; Lullabies for Mila, a collection dedicated to their baby daughter; Beethoven’s “Hammerklavier” and “Moonlight” Sonatas (a Gramophone “Editor’s Choice”); Bax & Chung (Stravinsky, Brahms, and Piazzolla); Alessio Bax plays Mozart (Piano Concertos K. 491 and K. 595); Alessio Bax plays Brahms (a Gramophone “Critics’ Choice”); Bach Transcribed; and Rachmaninov: Preludes & Melodies (an American Record Guide “Critics’ Choice 2011”). Recorded for Warner Classics, his Baroque Reflections album was also a Gramophone “Editor’s Choice.”

At age 14, Bax graduated with top honors from the conservatory of Bari, his hometown in Italy, and after further studies in Europe, he moved to the United States in 1994. A Steinway artist, he lives in New York City with pianist Lucille Chung and their daughter, Mila.


But the most dramatic performance of the evening belonged to pianist Alessio Bax, who skippered the remarkable dynamics within Faure’s “Piano Quartet No. 2 in G Minor, Opus 45.” From the tossed sea sensibility immediately conjured for the opening Allegro movement to the similarly sudden conclusion to the third Adagio non troppo movement that triggered an audible audience gasp a few rows behind me, this was perhaps the most fully realized and openly emotive performance so far in the festival.
- Lexington Herald-Leader
 (Walter Tunis)
 (Faure’s Piano Quartet No. 2 in G Minor, Opus 45 at the Chamber Music Festival of Lexington)
, 2017
(…) pianist Bax was impressive. This relatively young artist eschewed overly dramatic gestures of the crowd-pleasing sort and channeled all his considerable energy into the music, demonstrating complete mastery of the demanding writing.
- Cleveland.com
Bax is a true storyteller, using the piano as his voice, and Gabetta reminds us through these selections why the cello was created — as an instrument of raw emotion to reflect our own capacity for feeling. This concert was a wonderful showcase of two talented artists.
- The Independent
Throughout the evening, pianist Bax proved an inspired partner for Bell. The two ably prodded each other, especially in the night's sonatas. In the Brahms, particularly, Bax's account of the keyboard part was notable for its tonal warmth and excellent textural balance.
- Telegram
Bax found plenty of poetry in the work [Beethoven’s Piano Sonata No 14 “Moonlight”] and capped it with quite a stormy finale. (…) Pictures at an Exhibition is a virtuoso piece in its piano form, full of many moods including some spooky passages. Virtuosity and variety were strongly present in Bax’s interpretation, which ended with a grand Great Gate of Kiev.
- Star Telegram
Bax wisely eschewed extensive rubato in the first movement [Beethoven’s Piano Sonata No 14 “Moonlight”], marked Adagio sostenuto, instead creating a dignified, elegant sustained line. He attacked the thorny third movement, marked Presto agitato, at a breakneck clip, but Bax is a musician with technique up to the task.
- Theater Jones
Bax gave it [Beethoven’s Piano Sonata No. 31, No. 1 in A major, Op. 110] a sensitive and insightful performance. (…)The majestic fugal section in the last movement was played with great clarity and the entrance of the subject in octaves in the bottom of the instrument was an awe-inspiring sound. It was fascinating to hear him boldly step forward in this solo appearance and then return to the collaborator a moment later.
- Theater Jones
Bax’s bracing prestidigitation was evident in the strongly projected playing of the declarative solo that begins the work [Barber’s Piano Concerto], and even more in the explosive later cadenza and his consistently fast and accurate passagework. Yet the soloist was also able to relax into the more lyrical sections, with some affecting phrasing in the Canto middle movement. (…) Bax racheted up the power and velocity in the virtuosic final section, making the sparks fly in a combustible coda.
- Chicago Classical Review
Bax had the measure of this knuckle-busting virtuoso piece [Barber’s Piano Concerto]. His winning account combined youthful bravura in the outer movements with an innate feel for the ebb and flow of melody in the central Canzone: Not even wailing fire trucks on nearby Michigan Avenue could mar his concentration. His fingerwork was incisive without degenerating into pounding, and the torrent of pianistic energy he unleashed in the explosive, toccata-like finale kicked up tremendous excitement. Let's have him back.
- Chicago Tribune
Closing the program was Mr. Bax’s tastefully enhanced interpretation of “La Valse” by Ravel: less mordant than richly opulent, rising from Stygian gloom into a gaudy efflorescence, with glissandos that whistled as if no touch were involved.
- New York Times


Lullabies for Mila
Released February 2016 on Signum Classics
Alessio Bax plays Scriabin & Mussorgsky
Released September 2015 on Signum Classics
Beethoven - Hammerklavier & Moonlight Sonatas, The Ruins of Athens
Released September 2014 on Signum Classics
Alessio Bax Plays Brahms
Released October 2012 on Signum Classics
Preludes & Melodies
Released June 2011 on Signum Classics
Bach Transcribed
Released October 2009 on Signum Classics