Conductor

Gérard Korsten


Principal Conductor, Symphonieorchester Vorarlberg-Bregenz

Music Director, London Mozart Players


Gérard Korsten’s exceptionally high artistic standards and his particular knowledge of the ensemble are widely recognized among orchestras and opera houses worldwide. Former Concertmaster of the Chamber Orchestra of Europe, he is particularly renowned for achieving distinct orchestral colours and stylish performances of the Classical repertoire as well as Italian opera.

He works regularly with Opéra national de Lyon, Glyndebourne Opera, Budapest Festival Orchestra, Netherlands Radio Kammerphilharmonie, the Academy of St Martin in the Fields, London Mozart Players, Leipzig Gewandhaus, and the Hong Kong Philharmonic.

medici.tv stream Gérard Korsten and Chamber Orchestra of Europe’s acclaimed new production of Mozart’s Don Giovanni at Opera de Dijon

25 Apr 2013

Gérard Korsten conducted the Chamber Orchestra of Europe in five performances of a new production of Mozart’s Don Giovanni at Opera de Dijon in March, the orchestra making a welcome...

Gérard Korsten returns to the Hong Kong Philharmonic Orchestra and debuts with the Adelaide Symphony Orchestra

28 Mar 2013

In April, Gérard  Korsten returns to conduct two performances with the Hong Kong Philharmonic Orchestra in a delightful all Mozart programme.  He is joined by young and talented ICA...

Gérard Korsten to conduct Chamber Orchestra of Europe in new production of Mozart’s Don Giovanni at Opera de Dijon

07 Mar 2013

Gérard Korsten will conduct the Chamber Orchestra of Europe in five performances of a new production of Mozart’s Don Giovanni at  Opera de Dijon between 22nd and 30th March, the...

Gérard Korsten’s New Year return to BBC Scottish Symphony and London Mozart Players

04 Jan 2013

Gérard Korsten makes a welcome return to the BBC Scottish Symphony Orchestra at City Halls, Glasgow on 24th January, performing Mendelssohn’s Symphony No 4 Italien and is joined by...

Gérard Korsten conducts Britten with the London Mozart Players and Sally Matthews

05 Dec 2012

In anticipation of Britten’s centenary year, Gérard Korsten returns to conduct the London Mozart Players at the Fairfield Halls, Croydon on 13th December performing Britten’s Les Illuminations...

Gérard Korsten conducts mighty works in Sweden and Italy

13 Nov 2012

Gérard Korsten returns to  Sweden to conduct Beethoven’s Choral Fantasia with the Helsingborg Symphony Orchestra on 18th November and he takes on Mahler’s epic 9th Symphony in joint...

Gérard Korsten’s concert with Musikkollegium Winterthur receives high critical praise

13 Nov 2012

Gérard Korsten’s performance of a Xavier Dayers new commission, Frank Martin’s “Polyptyque”  and Mozart’s “Posthorn-Serenade”  receives critical acclaim:

“It was amazing with how...

Gérard Korsten conducts Vorarlberg Symphony Orchestra at the Bregenz Festival

06 Jul 2012

Gérard Korsten conducts Bruckner’s mighty Symphony No 4 in E flat major with the Vorarlberg Symphony Orchestra  on 12 August at the Festspielhaus as part of  the 2012 summer festival in...

Gérard Korsten and London Mozart Players Live on BBC Radio 3

07 Mar 2012

Live on Radio 3 from the Anvil, Basingstoke, and as part of the BBC’s Music Nation weekend launching the nationwide countdown to the London 2012 Olympics,  Gérard Korsten conducted the London...

Gérard Korsten’s Le Nozze di Figaro DVD wins Diapason D’Or Award

25 Jan 2012

The DVD of Gérard Korsten’s  Le Nozze di Figaro from La Scala (2006) has picked up a Diapason D’Or Award in Diapason magazine.  The  reviewer commented:

“The...

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“The Musikkollegium was masterfully up to the difficulties of the piece (Xavier Dayer’s new work “Le temps entre deux minuits”) since the conductor Gérard Korsten led the orchestra in a very inspired and confident way.”

Landbote (Musikkollegium Winterthur) - Nov 2012

“It was amazing with how much commitment the Musikkollegium Winterthur performed Xavier Dayer’s latest work for the first time under the direction of Gérard Korsten. The sound of the strings especially was glowing in many nuances, rarely to be heard in Frank Martin’s late “Polyptyque” for solo violin and two small string orchestras.”

Neue Zürcher Zeitung (Musikkollegium Winterthur) - Nov 2012

“A highly refreshing ‘Hommage à Mozart’, historically informed and the conductor motivated the orchestra in giving a pleasing, fluent and studied interpretation which examined every minor tonality and every rhythmic playfulness.”

Wiesbadener Kurier (Hesse State Orchestra Wiesbaden) - Nov 2012

“The South African born and student of Sandor Vegh, Gerard Korsten, led his orchestra to a new musical peak of achievement through the performance of Bruckner’s Fourth. They provided a brilliant ending to the traditional Sunday afternoon matinee concerts with Detlev-Glanert-glamour and Anton-Bruckner-power.”

Vorarlberger Nachrichten (Vorarlberg Symphoniorchester Bregenz) - Aug 2012

“In the pit, Gérard Korsten’s conducting electrified the musicians at the Opera de Lyon”

Le Progrès (La Vie Parisienne at Opéra de Lyon ) Dec 2011 - Feb 2012

“The very lively conducting of Gérard Korsten brings in its wake, a top rate cast...Three hours of pleasure and an irreplaceable interpretation”

Diapason D'Or Award Le Nozze di Figaro (La Scala, 2006) Arthaus DVD - Jan 2012

“The impression of hyped-up energy was even more pronounced in the Beethoven symphony, where, in fairness, rhythmic drive is everything. Here the agile strings, alert woodwinds and pointed brass made a fully responsive team, with Korsten tapping the primal energies that make this masterpiece so exhilarating, no matter how many times one has heard it.  ”

The Chicago Tribune (Irish Chamber Orchestra US Tour) - Oct 2011

“Gerard Korsten showed an approach to the classical repertoire that was tight and urgent. The Eroica was driven with fire and energy.”

Irish Times (Irish Chamber Orchestra) - Sep 2009

“Maestro Gérard Korsten's conducting was brilliant, and the orchestra kept the tempi necessary to never let fun and verve move into the background.”

Arti e Spettacoli (La Fille du Régiment, Teatro Verdi, Trieste) - May 2009

“His truth-seeking mission closely reflects the aims of the production, revealing a high level of textural detail and musical-emotional characterisation. No single phrase is simply allowed to slip by, yet the overall effect remains visceral.”

The Stage (Così fan tutte, Glyndebourne Festival Opera) - Oct 2006

“The performance is beautifully held together by conductor Gérard Korsten, who brings a forward impetus to the music whenever he can, lingers on the lovely, melodic moments, and makes certain that Schubert's masterful orchestration is clear.”

Classics Today (Schubert: Alfonso und Estrella CD, Dynamic) - Aug 2004

“So we've got every right to be proud of our orchestra, this time performing under Principal Conductor Gérard Korsten, who directed with a steady hand but also with intense passion and sensitivity to the nuances of the music.”

Vorarlberger Nachrichten (Janecek, Szymanowski, Ravel) - Aug 2009

“At least there’s good news at the London Mozart Players - or there will be when the music director-designate, Gerard Korsten, gets stuck in next season. His concert at Croydon's Fairfield Halls last weekend was a statement of intent, and right from the start of Dvorak's Serenade for Strings he showed that he will be working the orchestra hard. No detail was overlooked..., as the South Africa-born conductor brought tautness and intensity to Dvorak's bracing tunes.”

The Telegraph - May 2010

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Born in South Africa, Gérard Korsten began his career as a violinist after studying with Ivan Galamian at the Curtis Institute and with Sándor Végh in Salzburg.  Following his studies in the US and Europe he became Concertmaster and Assistant Music Director of the Camerata Salzburg and later Concertmaster of the Chamber Orchestra of Europe from 1987-1996 when he left the COE to concentrate on conducting. Gérard Korsten is currently Music Director of the London Mozart Players and Principal Conductor of the Symphonieorchester Vorarlberg Bregenz.

He held positions of Principal Conductor of the State Theatre in Pretoria and the Uppsala Chamber Orchestra before he was appointed Music Director of the Orchestra del Teatro Lirico di Cagliari from 1999-2005. In Cagliari he conducted the first Italian performances of Richard Strauss’s Die ägyptische Helena, Weber’s Euryanthe, Delius’s A Village Romeo and Juliet and Schubert’s Alfonso und Estrella, as well as the productions of the core operatic repertoire including Die Zauberflöte, Don Giovanni, Lucia di Lammermoor, Carmen, Die Fledermaus, Tosca, Aïda, The Barber of Seville and Don Pasquale.

Gérard Korsten has appeared in the most notable opera houses and concert halls around Europe including Teatro La Scala Milan (Le nozze di Figaro), Maggio Musicale Florence (Così fan tutte), Teatro Reggio di Parma (La sonnambula), Teatro Lirico Verdi Trieste (Don Pasquale and La fille du régiment), Opéra de Lyon (Ariadne auf Naxos, Henze’s L’Upupa und der Triumph der Sohnesliebe, Siegfried and La Traviata), Royal Swedish Opera (Don Giovanni), Netherlands Opera (Così fan tutte), English National Opera (Aïda) and Glyndebourne Festival Opera (Albert Herring).

His past symphonic engagements have included concerts with the Budapest Festival Orchestra, Leipzig Gewandhaus, Orchestre National de Lyon, Salzburg Mozarteum, Orchestra Sinfonica Nazionale della Rai Turin, Chamber Orchestra of Europe, Scottish Chamber Orchestra, Deutsche Kammerphilharmonie, Swedish Radio Symphony, Yomiuri Nippon and Melbourne Symphony orchestras.  CD recordings include Tchaikovsky’s Serenade and Souvenir de Florence with the Chamber Orchestra of Europe on Deutsche Grammophon. With Orchestra del Teatro Lirico di Cagliari he has recorded CDs of Die ägyptische Helena and Euryanthe and DVDs of Alfonso und Estrella and Don Pasquale.  His 2011 DVD of Le Nozze di Figaro (La Scala 2006) has been awarded a Diapason D’Or and was the Critic Choice in the Opera News in February 2012.

Last season Gérard Korsten toured with Irish Chamber Orchestra in the US and with the London Mozart Players in Spain. He returned to Opéra National de Lyon, conducting performances of Offenbach’s La Vie Parisienne and he conducted concerts with the Budapest Festival Orchestra, Megaron Camerata and Camerata Salzburg in both Vienna and Salzburg. 

In the 2012/13 Gérard Korsten makes his debuts with the Deutsche Radio Philharmonie in three concerts in Saabruecken, Kaiserlautern and Mainz and with the Adelaide Symphony Orchestra in Australia. He conducts a new production of Don Giovanni at Dijon Opera with the Chamber Orchestra of Europe and returns to the BBC Scottish Symphony, Latvia National Symphony, the Hong Kong Philharmonic, and SWR Sinfonieorchester Freiburg among others.

May 2013